Free Ebook , by Mark Lamster
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, by Mark Lamster
Free Ebook , by Mark Lamster
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Product details
File Size: 146380 KB
Print Length: 529 pages
Page Numbers Source ISBN: 0316126438
Publisher: Little, Brown and Company (November 6, 2018)
Publication Date: November 6, 2018
Sold by: Hachette Book Group
Language: English
ASIN: B07DTC5N92
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Amazon Best Sellers Rank:
#78,611 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Author Mark Lamster's biography of architect Philip Johnson, "The Man in the Glass House", is a superb examination of a man who, in many ways, was the embodiment of his class and time. An anti-Semite - he was an open admirer of Hitler and Nazi Germany in the 1930's - he tried to make amends for his actions by designed for no fee a temple in Port Chester, New York. He was opinionated and never failed to give his views a thorough airing. He was diagnosed bi-polar (I'm not sure if that was before his death or after) and his life was filled with emotional ups-and-downs. He was openly gay from an early age and his relationships with men were an important component of his life. He was a masterful designer of buildings and individual rooms. Philip Johnson lived to be almost 100 years oldLamster's biography of Philip Johnson was the first since Franz Schulze's, "Philip Johnson: Life and Work", which was published in 1996. That book was an excellent look at Johnson's life but maybe the final bio couldn't be written until after Johnson's death in 2005.Philip Johnson was born to wealthy parents in Cleveland. He and his sisters enjoyed European cultural trips and a high-style of life. He entered Harvard at a young age but took seven years to complete his degree. Given his inheritance years before this parents' deaths (there was something murky about Homer Johnson's finances at the time...), he lived the life of an aesthete at college and ever after. He really did not need to work, but he found his interests were almost totally on architecture - both its history and its practice. Johnson spent his young adulthood making his waylearning how architecture has influenced the world. It was during the 1930's that Johnson was enraptured by Adolf Hitler and Nazi Germany. He came out of his infatuation, but the term Nazi-lover followed him throughout his life.Mark Lamster's biography is a complete view of Johnson's life. He doesn't try to downplay Johnson's more egregious societal beliefs but does balance those out with how they affected his life and work. If you read and enjoyed Franz Schulze's biography of Philip Johnson, I think you'll enjoy Lamster's book.
Ok, so it's not an original line, but Mark Lamster uses a refined version of it and does a wonderful job of recounting Johnson's wild swings in personality, politics, styles and personal relationships. It's not always pretty but it is interesting, especially his accounts of the beginnings of the Museum of Modern Art (MOMA) which was formed by curator Alfred Barr, a professor at Wellesley, and a few Rockefellers and friends with a speed and lack of bureaucracy that we can only marvel at today. Funny point -- Barr, a lousy administrator was fired but wouldn't leave. Eventually a new director found a spot for him that didn't require admin skills. Johnson went off to expound fascism -- one ally said that 500 millionaires made more than 2 million farmers -- sound familiar? (The author does a good job on Lawrence Dennis, an intellectual isolationist who wanted the U.S. to focus its energies at home and who thought a fascist state was needed to direct an amoral business class that had little interest in the national welfare.) After Johnson failed at politics he returned to MOMA and took back the architecture department through a combination of politics and money -- he didn't need a salary and he was a generous donor of art to the museum. He set the standard for architecture exhibitions and then for the art of industrial objects, where MOMA remains a leader with exhibits ranging from an E-Type Jaguar to a Timken ball bearing. The Seagram building with Mies, his own Glass House, the New York State Theater and the garden at MOMA were among his best works. Johnson continued to journey to Nazi journey on summer breaks even after Hitler had invaded Poland and continued to admire Nazism. On the architecture front, Lamster is disappointed in many of his later corporate commissions. MOMA spurned him for its expansion, turning to César Pelli who came from a shopping center background and made the MOMA addition "...a shopping center for art with a high-end condo stuck in the middle."The author is great when he relaxes into caustic. "In going ahead with that project, the trustees altered the very nature of their institution while hamstringing their ability to remake it in the future."When the televangelist Robert Schuller turned to Johnson to design the Crystal Cathedral he asked a member of the first "Do you think I will have a spiritual experience with Johnson?" Johnson feigned piety, but the two proved a good good match -- "two kindred spirits, a pair of natural salesmen with a shared ambition to build on a grand scale inspiration through architecture."The New York art/architecture world was pretty small and the interactions were both personal and institutional. Fascinating and a great read. It could have used better photo plates, although the buildings are probably all online.
Mark Lamster’s negative personality corrupts this biography. Lamster is a Dallas-based architecture critic who also teaches at a third tier engineering school. That he worked on the book for NINE YEARS is NOT a compliment to his work. Indeed, he has grown sick of PJ. Consequently, he misses the “big picture.†Lamster cannot comprehend or explain why John and Dominique de Menil of Houston would LIFT PJ from the errors of his past to help them usher in their humanistic vision of art in the world. Failing to see what the Menils saw, Lamster succumbs to his negativity. A bad book.
A tremendous read.Johnson fully dissected with all the information you need in understanding this amazing product of America.Beautifully written ... a must read for those in all phases of art, architecture, construction .
Great book
A deep and insightful look into Johnson’s fascinating and deeply contradictory life. Another reviewer on this site evidently didn’t read the book he/she reviewed, because Lamster unearths new details about Johnson’s Nazi past and criticizes him strongly for it. In addition to his fine reporting work, Lamster is a smart and entertaining narrator. A first-class biography.
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