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Dying City, by Christopher Shinn
Get Free Ebook Dying City, by Christopher Shinn
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About the Author
Christopher Shinn was born in Hartford, CT and lives in New York. His plays include "Where Do We Live," "Other People," "What Didn't Happen" and "On the Mountain." His work has been produced around the world. He is a winner of an OBIE in Playwriting and the Robert S. Chesney Award. He teaches playwriting at the New School.
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Product details
Paperback: 96 pages
Publisher: Theatre Communications Group; First Edition edition (May 1, 2008)
Language: English
ISBN-10: 1559363290
ISBN-13: 978-1559363297
Product Dimensions:
5.4 x 0.3 x 8.5 inches
Shipping Weight: 4.8 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#1,085,053 in Books (See Top 100 in Books)
Shinn, a playwright completely unknown to me before seeing his name pop up on the 'Pulitzer Prize for Drama' Wikipedia page, writes with a keen ear for natural dialogue.His characters are clumsy with their words, which, yes, makes for a tougher and possibly more frustrating read. But when one goes the extra mile to read the dialogue as though it was being spoken by a person on a stage, you really do get a sense of how well crafted this play is. A deserving Pulitzer finalist.Having twins played by the same actor really puts an emphasis on how minimal the play is as a whole, with hardly any (written) light or sound changes throughout the production. He also keeps stage direction very minimal, choosing to focus on the words and not the physical actions of each character.One of the better plays I've read--very easy, very simple, and yet touching, painful. Shinn has all the workings of a great dramatist; Dying City is step number one.
A play with a wealth of opportunities for actors to deep-dive emotionally. So much personal history and herstory is carried onstage. I can only imagine that if properly cast and staged this experience would draw its audience into its characters' backstories.
Subtle and honest. Two great roles. Fairly easy production values.
I loved it. Absolutely enjoyed reading it, even though it was for a project, I actually enjoyed reading this. I definitely recommend it.
I thought that this play was defiantly worth the read. Its a bit choppy at times but Mr. Shinn defiantly captures the awkwardness and suffering in this play. If you like older plays like Tennessee Williams and August Wilson you will like Dying City. It is a sad play and the playwright meant for it to be. Its not fluffy and light. the more you read and study it the more it will grow on you. Don't just read it for the sake of reading something. Read it with the idea to study a good and challenging piece of theatre
I saw this play and then read it to see if I missed something.For some reason, this new style of play is being embraced, most likely because there is nothing better coming out in the old style.The plot involves a woman whose husband served in Iraq and his twin brother, obviously we are supposed to be intrigued by the duality of the male character, or least how fast the costume changes can take place.Unfortunately, there is very little plot, the characters drone on about issues and incidents that are patched together randomly and that have no significance nor bearing on real life.Yes, yes...Iraq affected us all, lives were ruined, blah, blah, blah...this play has so little to say about it and is so lacking in originality you wonder if the author's Uncle is a Broadway producer.The characters are not likable and the whole experience of watching the play is like visiting the dysfunctional family next door and being forced to watch their family dynamics for almost two hours.You wouldn't do that would you?So why would you PAY to do that?If this is the future of play writing and Pulitzer nominations (you heard me) than Broadway might as well shut down...or stick to juke-box musicals.
As I am writing my thesis about Pulitzer Prize winning drama, I am reading a lot of modern American Drama, mostly PP winners and nominees. "Dying City" has truly become one of my contemporary favorites. The play is simple, yet compelling, dealing with grief and the loss of love on many different levels. I can highly recommend it to theater groups as a new production and feel it is a great example of writing that is actually meant for the stage and does not hope to be turned into a movie...
The only conceavable excuse for a play this poor is that it it is part of some new "style" that no one told me about. I am perhaps picking up on a new style with recetly published plays that seem to fall under the heading of "instant messageing" plays. They are not labled as such, perhpas, I am ahead of our theatrical historians? Even if it is a new style, this play is really bad. The "construct" had potential. Identical twins played by the same actor in two diffrent times might could have been a wonderfull tool to explore misscomunication and the diffrent perceptions if identical events. Instead, the author (not playwright) seem to have lost interesten in there own work half way through and the play just introduced more than it ever dared to close up or even flesh out. I could write a review much longer than the play on how bad this play was, but I will not.
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